Trapped in Bubble Plastic

Froilan Calayag's bubble plastic art at the Tutok Soena 2010 at MC

Too many times I have confessed about my love-hate relationship with my job. Today*, I went back to the confessionary.

I love mummifying unicorns, hearts, elves, and gnomes. I love talking to people about ideas and theories even, in art. I love how the rush of putting up shows turn into a crimson red labor.

Must be the overwhelming PR jobs this week that landed me a position in the rant highlights. I never really liked drafting PR’s. I’d rather prepare coffee for the guests (kidding here, for the sake of expressing my utter dislike of that job) than bring together fancy words (though I put in academic terms at times) to create a real beautiful image and impression of a show. It doesn’t hurt that much actually. It’s like curating in words, putting resonance and wonder into print (which I guess is also one tough job). Only if the artworks are not subject to sale…

Honestly, I do not feel the same about art writing as I did some two years ago. I feel like I cannot write with the same zest and yeah, knowledge perhaps (please note the lack of confidence here). Somehow I blame PR-writing. I feel like it’s the shallow and general orientation of the short article that has limited me in writing further sensible stuff about art.

On the way to the hotel this evening, a friend told me that I am one of the people most likely to write about art in an academic/scholarly manner. I might even end up in Art magazines/publications, she said. That is certainly what I want to do (add writing curatorial notes here). Consider my thesis as Exhibit A. Problem is, I write in layers. I never wrote in a formalist (this is how it looks like) manner alone. Moreover, I go beyond looking. I look beneath the surface. I critique. I look into different perspectives and tap into Art Gods and Godesses.

I’ve tried writing for the gallery. But I ended up criticizing the shows anyway. Questioning this and that, laying down ideologies and theories, which is basically, too much of a reading. But yeah, I was trained for that. Hello Art History, Art Theory and Art Criticism classes.

I remember our former Project Manager. She’s an artist, or yeah, was an artist. She now calls herself a “retired” artist. She found it a little too problematic to work for a gallery while working as an artist. She left January 2010 with the simple reason: “Conflict of Interest”. Now, I understand her.

And to further explain this rant post (for the lack of better term), you can check my one of my art woes here. It dates back Manila Art Fair 2010, but I’ve got real same sentiments there, minus the PR writing hatred, that is.

So, this makes me look forward to next week to finally free myself from the PR’s. On a serious note, this makes me reconsider going back to school. Hello summer, please give me enough time to decide.

*post dates back Friday, 1 April.


3 thoughts on “Trapped in Bubble Plastic

  1. DC says:

    funny. c wants to write pr,you want to write art crit and i want to write fiction (and about food!). we’re all linked by the desire to write for a living; yet you and c and have opposing views on that desire. and i am just happy i’m not required to write anything for a while.:P

    • asteorra says:

      hahaha it’s because i’ve been doing pr writing for two years now and it doesn’t seem beneficial to me 😛 and yeah, i wanna try non/fictional writing. i just hope it wouldn’t sound like a mere journal entry, must fit for a cw class maybe. 😛

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